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"I don't mean that; but how could you look?" "I do not," she says, sweetly. "I could not: it is my dearest remembrance; and somehow it has made me strong to conquer, Geoffrey,"—flushing, and raising herself to her full height, as though already arming for action,—"I feel, I know, I shall in the end succeed with your mother." "I saw you," said Fisher, "when you went into that lodge. Did you, when you came out of the lodge, see there in the water another lodge painted with yellow buffalo? Is it still there?".

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CHAPTER XXVI. "By Jove, you know, it is odd," says Geoffrey, presently, speaking as one might who has for long been following out a train of thought by no means unpleasant, "his sending for her, and that: there must be something in it. Rodney didn't write to her for nothing. It must have been to——" Here he checks himself abruptly, remembering his promise to Mona to say nothing about the scene in the library. "It certainly means something," he winds up, a little tamely. "Yes, I suppose so," replies Mr. Rodney, reluctantly. "But he don't look like it. Hang it, you know," exclaims he, vehemently, "one can stand a good deal, but to have a fellow who wears carbuncle rings, and speaks of his mother as the 'old girl,' call himself your cousin, is more than flesh and blood can put up with: it's—it's worse than the lawsuit." "You will come first and see Philippa?" she says, in a slow peculiar tone that sounds as if it had been dug up and is quite an antique in its own way. It savors of dust and feudal days. Every one says he or she will be delighted, and all try to look as if the entire hope of their existence is centred in the thought that they shall soon lay longing eyes on Philippa,—whose name in reality is Anne, but who has been rechristened by her enterprising sister. Anne is all very well for everyday life, or for Bluebeard's sister-in-law; but Philippa is art of the very highest description. So Philippa she is, poor soul, whether she likes it or not..